Greek Art - The Geometric Period, Classical Period, and Hellenistic Period :: Greek Art

Greek Art - The geometrical Period, Classical Period, and classical Period Over a period of time Greek cheat of the past has changed and evolved into what we value in todays society as true cheat and services as a blue marker of our tomorrow. As we take a closer look at the Geometric Period and stroll up through the Hellenistic Period get out me to demonstrate the changes and point out how these transitions have served the elements of time.During the geometric period the Greeks vogue of vase painting was know as Proto-geometric because it was preceded and anticipated the Geometric style - was characterized by linear motifs, such as spirals, diamonds, and crosshatching, rather than the stylized plants, birds, and sea creatures sign of minoan vase painting.Artist of the geometric time period created decative funerary art to be placed at the tombs of there dead. These interchanges were made of ceramic and created in the form of geometric shapes, hence the time period. On e such piece is a vase from the Dipylon Cemetery, (750 BCE) its over- solely shape is like that of a hemisphere support by a cylinder. We also nonice that the vase is divided into registers and here the piece are depicted as part of a narrative. The body of the deceased is placed on its side and set on what would appear to be a pedestal in the center of the top register. The form use to represent the human figures are somewhat abstract. For example triangles are use for the torsos, the head is a triangle in profile, round dots would stand in for the eyes and long thin rectangles would serve as arms. The figures have slender waists, and long legs with bulging thigh and calf muscles. The abstract designs were painted with a clay slip and to still a page form the Egyptians, all the humans were shown as full-frontal or full-profile views that emphasize flat patterns and outline shapes. even so unlike the Egyptian funerary art the Greeks focused on the survivors, not the fate of the dead. During this period it was customary to create vases that did not contain eerie beings, nor made reference to the afterlife that might have provided solace for the bereaved. other early piece that surfaced back in the late tenth atomic number 6 was the Centaur, half-human, half-horse.